this collection ties fragments of my family history, folk tradition, and the landscape of norway into 12 carefully composed garments. i approach making as a way of holding onto ancestry, carrying forward a legacy of craftsmanship to marry story, body, and material.

to bring these ideas into a tangible form, i created a collection that embodies this connection. i designed garments inspired by norwegian folkwear, translating motifs, silhouettes, and techniques into contemporary forms. sourcing norwegian relics allowed me to bring primary materials into the work itself—objects that carry the touch of the culture i was referencing—layering history into the textiles and adding depth to each piece.

the bunad, norway’s national folk costume, carries this sense of place. each one is tied to a specific region, defined by its embroidery, fabrics, and silver sølje jewelry. based on rural dress from the 18th and 19th centuries, bunads are worn for national holidays, weddings, and other milestones. made from wool and linen, they are built to last, handed down and altered across generations.